Jazzy Gentle – NuJazz from Italy
Last week I had a very interesting conversation with Romeo Sandri, the mastermind behind the NuJazz project Jazzy Gentle.
Q: short bio?
Jazzy Gentle, side project by Romeo Sandri, producer and player (tenor saxophone, flute and electric pianos) with Acusmatic Group, looking for a future jazzy softness ..
After two trial remixes that were never published (Jazzanova and Femi Kuti remix for some remix-contests) here come the official productions, a remix for Acusmatic Group (my own nu-jazz, cinematic project) and one for Fromwood (electronic, breakbeats sicilian project).
The third remix (for Papik) is just out. All productions are published by Irma Records.
Q: all time favourites?
Q: situation in italy and your region?
I live in a small region, so I’d skip about it and talk about the Italian situation. I think that there’s a lot of good producers growing. In my opinion they represent the future. Past and present are embodied by big names such as Nicola Conte, Gerardo Frisina, Papik, Milano Jazz Dance Combo, Aaron Tesser, Modulo5, Fromwood, S-Tone inc. and many more. I think in Italy we have a lot of great music, but the funny thing is that all those great names are better known abroad than here. Almost the same thing is true for all the great labels we have (Irma, Schema, Record Kicks and more). Maybe the real problem is that in Italy few people are interested in this kind of music?
I think that 2 exemples are better than 1000 words. I’m proud to live in a (music)world where a jazz pianist like Robert Glasper can titled a song of his album J-Dillaude, and where a jazz vocalist like José James works with Flying Lotus, sings and swings on one of a best dubstep songs by Benga. I think that’s the future way for jazz.
Jazz purists in 1959 didn’t like (or understand?) what kind of sound Miles was trying to create on the Kind Of Blue sessions. Similarly, I think that now jazz purists don’t like the jazz fusion with the modern electronic sounds and scene.
How does the Nujazz reflects in my work I really don’t know. I play and study jazz and harmony, I eat a lot of contemporary music from many different styles, I like to live in the present and I’m looking for my personal way to compose my music, during the digestion. I’m looking for a sort of future “jazzy softness”.
With my other project, called Acusmatic Group, we just finished a remix for the canadians Afternoons In Stereo, out soon on Timewarp Music, and we’re working on the new album.


Hi Stefen!
Read your article and found the jazzy gentle idea kindof nice..
Music is always evolving, and now with all the global interaction, it is much more so.
I wish you all the best in your creating!!
Rachel
thanx rachel, thats always in important point of view. this global interaction brings dynamic flow in creativity, not only in NuJazz.